The triumphal arcade at Hibya, Tokyo by Ordnance Survey Office

The triumphal arcade at Hibya, Tokyo Possibly 1895

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print, photography, albumen-print

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print

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photography

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orientalism

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cityscape

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albumen-print

Dimensions: height 215 mm, width 284 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have a striking albumen print from, possibly, 1895, attributed to the Ordnance Survey Office, titled "The triumphal arcade at Hibya, Tokyo." I’m really struck by the photograph’s dynamic composition, the strong diagonal lines drawing the eye towards the large arcade. What do you see as key elements in this piece? Curator: Note how the architectural elements, particularly the arcade itself, dominate the composition through a rigid, almost geometric structure. The interplay between light and shadow, achieved through the albumen print process, serves to accentuate the volume and depth. Have you noticed the linear procession of figures on the right? Editor: Yes, the procession seems to fade into the background, giving a sense of vastness. The arcade feels almost like a theatrical backdrop. Does the rigid form of the structure suggest any deeper meaning? Curator: Consider the intentional placement of the Japanese flags and the sheer density of the crowds against the formal, triumphal architecture. The structure acts as a visual device that creates depth through the lines. The visual complexity invites questions about the purpose. How does the interplay between the structure and these other components contribute to your understanding? Editor: That's fascinating, it pushes me to consider the relationships between the architecture and national pride represented in this image. I didn't think about that previously. Curator: Precisely. Considering formal elements opens new avenues for interpretations. What initially appeared like a basic historical document transforms into a visually structured statement on form. Editor: I now recognize the image's ability to reveal aspects that may be both interesting, and relevant from various formal, thematic and symbolic angles. Curator: Indeed. A keen reminder that form holds just as much information as function or setting, and may unlock our ability to connect meaning in art.

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