Adelaarsvaren in een dennenbos by Richard Tepe

Adelaarsvaren in een dennenbos c. 1900 - 1930

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print, photography

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pictorialism

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print

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organic shape

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landscape

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nature

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photography

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realism

Dimensions height 167 mm, width 227 mm

Editor: Here we have Richard Tepe’s photograph, "Adelaarsvaren in een dennenbos," which roughly translates to "Eagle Ferns in a Pine Forest." The print, dating from about 1900 to 1930, evokes such a sense of serenity, almost like stepping back in time into this undisturbed, natural space. The composition draws me in, but it also feels intentionally arranged. What do you make of it? Curator: It's interesting that you pick up on that sense of intentionality. Tepe was associated with Pictorialism, a movement which saw photography as a fine art, not just a document. Consider the timing. Photography was becoming increasingly democratized, available to the masses. Pictorialists like Tepe sought to elevate the medium, imbuing it with artistic expression through techniques like soft focus, creating atmospheric effects more akin to painting. How does knowing that shift your understanding of the image? Editor: I see it differently now. So, it's less about capturing a scene realistically, and more about evoking an emotion, like nostalgia for untouched nature amid rapid industrialization? Was there a social or political element to this romanticizing of the natural world? Curator: Precisely. There's often a silent dialogue happening in art – what is an artist responding to? Here, it's industrial progress and urbanization. Consider the turn of the century—cities were burgeoning, landscapes changing. This image acts as a visual counterpoint, an idealized retreat that critiques contemporary society’s trajectory. The image presents a controlled view of nature. Think about who had access to these ‘natural’ spaces. Editor: That makes so much sense. It really highlights how art can reflect larger societal anxieties and even serve as a form of subtle protest or at least… yearning. Curator: Exactly. What appears to be a simple landscape photograph becomes much richer when viewed through the lens of its time, revealing the complex interplay between art, society, and politics. It certainly altered my initial assessment.

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