Blæst og regn by Louise Ravn-Hansen

Blæst og regn 1898

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Dimensions 237 mm (height) x 353 mm (width) (plademål)

Curator: What a remarkably evocative image. This is Louise Ravn-Hansen’s etching "Blæst og regn," created in 1898. The work is currently held at the SMK, the Statens Museum for Kunst. Editor: Yes, the title, "Wind and Rain," is immediately fitting. It captures that wildness perfectly. It’s not romantic in the traditional sense but speaks more of harsh, persistent conditions and an almost lonely scene by the sea. Curator: The lone building nestled inland and rows of trees are particularly compelling. Sheltering or protected. Do you see some link with similar iconic representations from that time period? Editor: Absolutely. While impressionistic in style, there's also this underlying stark realism in its depiction of the landscape, its unforgiving aspects. The almost oppressive weather adds to the notion of people living in constant negotiation with their surrounding. There’s commentary on resilience here. The building surviving these conditions almost becomes a symbol for humanity. Curator: Or perhaps of home itself. The thatched roof feels almost primal. The way Ravn-Hansen uses line etching is masterful, almost chaotic in the sky and sea and detailed in the calmer right third. How does the composition guide your interpretation? Editor: The chaotic cross hatching contrasts so fiercely with the ordered lines near the trees; maybe its more than just order but imposed control vs the forces of nature. How our need to dominate nature ends up making something much more brutal than anything weather could conjure. This could symbolize both an actual storm and the socio-political climate she existed in. It gives a commentary on how marginalized people survive it all. Curator: That's such a thought-provoking observation, casting a new light on the imagery and symbolic language employed by the artist. Considering this interplay enriches our understanding. Editor: It does, doesn't it? Seeing beyond the pure aesthetic and locating the work in social, feminist, and intersectional perspectives. These readings add layers and urgency to the artwork. Thanks! Curator: The pleasure was all mine! The ability of art to speak to multiple audiences over time, across varying contexts, reveals something powerful.

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