Poker Series – Masquerade Club 2022

Curator: Daria Theodora created this watercolor painting, "Poker Series – Masquerade Club" in 2022. It strikes me immediately. Editor: It's arresting. The initial feeling I get is of delicate fantasy, a dreamlike state rendered through a hazy, ethereal quality. But look at those watercolors; their washes have a distinct texture. I wonder about the paper—its weight and weave. Curator: Yes, the blending of human and animal iconography creates a rich symbolic tapestry. The girl, seemingly a hybrid creature herself with cat-like ears, embracing a tiger. It feels allegorical. Tigers often symbolize strength and untamed power, while the girl’s partially masked face speaks of hidden identity. Editor: Interesting, and note also the process of layering and how it brings depth, but I’m wondering if she uses masking techniques with the watercolors to build up those intricate floral details without the colors running. It really is impressive to see the amount of detailing possible using watercolour in such a complex composition, the handwork of a patient and confident artist. Curator: I also pick up a pervasive Japanese aesthetic—consider the floating cloud-like motifs and the delicate floral arrangements surrounding the figures. They suggest an otherworldly, serene realm influenced by East Asian traditions. The ace of clubs at the bottom may nod toward chance, risk and hidden opportunity or even misfortune. Editor: Looking at the artist's mark on the work, one thing this picture says is it has clearly been mass produced but what it lacks in physical hand making and its uniqueness, it definitely makes up in artistic design which gives it the handwork artistic painting qualities as if handmade, though it doesn't say it exactly gives it away in plain lettering what sort of processes of production of art took place to create this piece as well as, therefore, makes you feel like it doesn't fully commit, that may seem like not being a real product or as handmade a design could feel and yet it gives off that kind of intention and direction but instead it can give this to someone without being handmade through art for everybody with this production for many that feels inclusive without giving all her processes away if one would choose. Curator: I think the power resides in the enduring imagery she’s revived—motifs resonant through history. I appreciate that duality she expresses through the combination of these time-honored icons. Editor: Agreed. I leave with newfound interest in seeing more artworks playing between traditional craft boundaries. I am eager to analyze them using production value based critical theory.