Hele en halve piëdestal en twee consoles, in de Toscaanse Orde 1578

Editor: Here we have “Hele en halve piëdestal en twee consoles, in de Toscaanse Orde,” created in 1578 by Johannes or Lucas van Doetechum. It's an engraving. Looking at it, I’m struck by the stark geometry of the piece – very formal, very architectural, almost like a blueprint. What do you make of it? Curator: A blueprint indeed, though perhaps a blueprint brimming with playful possibility. See how the artists, for it was most likely both brothers collaborating, present not just the cold, hard facts of Tuscan order, but rather, imagine little dramas within each plane. For me, it feels almost theatrical - like a stage set in preparation. And in that way, the cold architecture breathes and suggests warmth. Does it feel that way to you at all? Editor: I didn't consider it from that perspective, but now that you mention it, it feels like a stage set just before the actors appear. The blankness could almost be anticipation. But how does it connect to art outside of architecture? Curator: I like that instinct! Consider how stage design was itself blossoming then – and consider how geometry was used across art. It isn't only an architectural model. It also reflects how mathematical harmonies can inspire other artists as well! I find that really wonderful – and a source of timeless creative fascination for us, still. Don’t you think? Editor: Absolutely! I had thought of it so literally at first. Thanks to your insights, I realize how much more there is beyond the geometry itself! Curator: Exactly. We are now equipped to be audience ourselves to this beautiful stage design.