A Sátira 1911

Editor: This drawing, titled *A Sátira*, was created in 1911 by Jose de Almada-Negreiros, using pen and ink. I’m really struck by the figures—they’re so exaggerated and bizarre. What do you see in this piece that gives it meaning within its time? Curator: It's intriguing, isn't it? This work really reflects the socio-political currents of early 20th century Portugal. You see, Almada-Negreiros positioned himself as a provocateur, critiquing the bourgeoisie. Notice how the figures seem almost grotesque, mocking the elite through caricature. Editor: So the exaggerated features are a form of social commentary? Curator: Precisely. Consider the time. Portugal was experiencing political instability, and artists often used their work to challenge the established order. Almada-Negreiros, and other artists associated with Orpheu, rejected academic norms and sought to shake up society with radical ideas. Do you think the placement of these figures serves to further emphasize or contrast that aim? Editor: Hmm, I guess having these characters arranged as they are, especially with that backdrop, does amplify their social positioning within the satire... almost like they're placed *in front of* an ideological background. Curator: Yes, their placement is indeed key. Ultimately, it invites viewers to question the values and norms of their society. This is part of what would become the First Portuguese Republic that took hold that same year, too. Editor: That’s fascinating. It makes me appreciate how deeply art can be intertwined with the political landscape. It’s not just a drawing but a critical statement. Curator: Exactly, art serves a public role as a medium for social change. Considering Portugal was turning on the old ways when this drawing was published really reframes the artwork entirely.