Dimensions: object: 245 x 93 x 93 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Immediately, I'm struck by a sense of poised authority, maybe a touch of self-importance. Editor: This bronze statuette by F. Derwent Wood, held in the Tate Collections, presents a figure from perhaps the 18th century. Look at his attire: the long coat, breeches, and that rather foppish wig. Curator: Oh, definitely aware of his own image. I see him holding papers, perhaps a decree? The way he's slightly elevated suggests power, or at least the performance of power. Editor: Indeed. The papers could represent his authority, his written word as law. And note the bronze itself; it's a material associated with strength, durability, and historical significance. Curator: So, he's not just a man, but a symbol? An idea cast in bronze, preserved, almost fossilized in his own importance. It’s a statement about legacy. Editor: Precisely. Wood is invoking historical precedent, cultural memory. It's a potent combination of personal portrayal and symbolic weight. Curator: Makes you wonder what he actually accomplished, this bronze man. Or maybe it doesn't matter. Maybe it's the image that counts, then and now. Editor: A thought that haunts all those who want to leave their mark. Thanks for that point.
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http://www.tate.org.uk/art/artworks/wood-title-not-known-n05650
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These eight maquettes (small preparatory models) were made for a statue of the eighteenth-century artist, Sir Joshua Reynolds, for the courtyard of Royal Academy’s home, Burlington House, in London’s Piccadilly. Only two sculptors, Derwent Wood and Alfred Drury, were invited to submit proposals. These studies by Wood show Reynolds in various poses, invariably holding a palette and painting brush, the tools of his profession. In the end the commission was given to Alfred Drury. The statue was put in place in 1931 and still stands outside the Royal Academy. Gallery label, September 2004