Dimensions: object: 235 x 110 x 120 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: This bronze sculpture, by F. Derwent Wood who lived from 1871 to 1926, feels so intimate and immediate. Editor: Yes, he looks so relaxed, almost like he's posing, palette in hand, ready to capture a fleeting moment. There's something so self-assured about his posture. Curator: Wood was deeply involved in the British art scene, often responding to the social and political climate. I wonder, is this artist portraying himself or perhaps a romantic ideal of the artist? Editor: I love that the sculpture is cast in bronze – it emphasizes the artist's permanence, his contribution to culture. Though I also can't help but wonder about the choices in the pose, in the face. Curator: These sculptures remind us that art isn't just about beauty; it's about how we see and understand each other, and ourselves. Editor: Exactly. And sometimes, like here, it's about the very act of seeing itself. A celebration of the artist, forever.
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http://www.tate.org.uk/art/artworks/wood-title-not-known-n05652
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These eight maquettes (small preparatory models) were made for a statue of the eighteenth-century artist, Sir Joshua Reynolds, for the courtyard of Royal Academy’s home, Burlington House, in London’s Piccadilly. Only two sculptors, Derwent Wood and Alfred Drury, were invited to submit proposals. These studies by Wood show Reynolds in various poses, invariably holding a palette and painting brush, the tools of his profession. In the end the commission was given to Alfred Drury. The statue was put in place in 1931 and still stands outside the Royal Academy. Gallery label, September 2004