Untitled n.d.

This 'Untitled' drawing was made by William Burges in the 19th century, using graphite on paper. Burges skillfully employs the medium, manipulating graphite to capture varying degrees of light and shadow. Notice the meticulous cross-hatching technique used to render the buildings and street, which imbues the scene with a palpable sense of depth and texture. This deliberate approach speaks to the importance of craftsmanship and manual skill at the time. The choice of graphite on paper, a relatively humble material, contrasts with the grand architectural subject matter – a street scene dominated by a towering church. This juxtaposition highlights the accessibility of art-making, even when depicting monumental subjects. Burges, who made his name as an architect, clearly sees the built environment as something he can capture with the simplest of means. The drawing underscores how the artistic process is as crucial as the final product, blurring the lines between high art and everyday practice.