Bruiloft te Kana 1745

John Baptist Jackson created this chiaroscuro woodcut, "The Wedding at Cana," in the 18th century. Jackson, an Englishman, spent much of his career in Venice, mastering and then innovating the color woodcut technique. This print, based on Veronese’s monumental painting, encapsulates the grandeur of Venetian society while subtly navigating the complex dynamics of class and artistic representation. The scene depicts a biblical wedding feast, yet the elaborate costumes and architectural setting reflect the opulence of Venice, a city celebrated for its wealth. Jackson’s choice to recreate such a scene speaks to the aspirations of the merchant class, eager to align themselves with the cultural capital traditionally reserved for the aristocracy. While paying homage to Venetian aesthetics, Jackson was also pushing the boundaries of printmaking, using color and texture to democratize access to fine art. The emotional depth of the piece lies in its ability to evoke a sense of aspiration. It invites us to reflect on how we use art to mirror and shape our societal values.