Capri 1857

Albert Bierstadt painted "Capri" during the late 19th century, an era defined by westward expansion and a romanticization of the American landscape. Yet, here, Bierstadt looks across the Atlantic towards Italy. Bierstadt, associated with the Hudson River School, often depicted grand, panoramic vistas of the American West. His meticulous rendering of light and atmospheric effects contributed to the concept of Manifest Destiny, where the landscape was not just scenery, but also a symbol of divine favor. "Capri", with its lone figure in a boat, presents a different narrative. It invites contemplation on the relationship between humanity and nature, while perhaps also touching on themes of isolation. What does it mean for an American artist to turn his gaze toward Europe, and to Italy in particular? "Capri" shifts our focus, prompting us to consider the interconnectedness of global landscapes and the complex, shifting identities of both artist and subject.