Exterieur van de Arco de Santa María te Burgos by Jean Andrieu

Exterieur van de Arco de Santa María te Burgos 1862 - 1876

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print, photography, architecture

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medieval

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print

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landscape

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photography

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cityscape

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architecture

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building

Dimensions height 85 mm, width 170 mm

Curator: This is Jean Andrieu’s photograph, "Exterieur van de Arco de Santa María te Burgos," created sometime between 1862 and 1876. The Arco, or Arch, of Santa María was historically a main entrance to the city, heavily adorned to project royal power. Editor: My initial reaction is its striking monumentality; the strong vertical lines are really imposing, particularly because of the relatively low vantage point. Curator: The Arch has undergone multiple transformations throughout history, initially built in the medieval period, and then significantly remodeled in the 16th century. The sculptures include historical figures tied to Burgos, showcasing the city's identity and solidifying political narratives. The figures tell stories of power, solidifying Burgos’ position as a Castilian stronghold. Editor: The texture is so interesting! I see these groupings of statues within the larger arch form; the composition draws your eye around the many details, those almost playful turrets, and then down into the shadows of the archway itself. Curator: This photographic print gives us insight into the visual culture of 19th century Spain and Europe, where photography began to document historical monuments, solidifying national pride. This image contributed to an understanding of Spanish heritage during a time of massive social change. Editor: It really does have a quality that emphasizes mass and permanence. I’m thinking about how the limited tonal range reduces details and almost abstracts the surface of the stone. That makes the imposing form stand out even more, maybe giving a modern, even abstract, edge to something rooted in the medieval. Curator: Absolutely. It’s easy to see how Andrieu’s work can offer a study in contrasts. On one hand, the picture preserves history, and on the other hand, the way that the scene is framed communicates volumes about cultural ambition. Editor: I agree. It’s really quite incredible how this photographic rendering manages to freeze both form and symbolic weight in a single image.

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