Copyright: CC0 1.0
Editor: So, this is Honoré Daumier's "Un Bouquiniste dans l'Ivresse." It's hard to pinpoint the exact date, but it seems to come from around 1878. There's such an intense focus on the two figures and their expressions. What can you tell me about the context of this piece? Curator: Daumier, a master of social commentary, often used lithography to critique Parisian society. The book vendor, "ivre" or drunk, isn't necessarily intoxicated with alcohol. How might Daumier be suggesting an alternative kind of "drunkenness" here? Editor: Maybe it's the thrill of finding a rare book, even with its flaws? It’s an interesting commentary on the value we place on objects. Curator: Precisely. The print highlights the cultural obsession with rare books, and perhaps Daumier’s own commentary on the art market itself. It seems he’s implying how “flawed” objects could still be valued.
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