Fernand Léger made this painting, Circus Family, using a simple palette of black lines on a neutral background. It looks like a work on paper, quickly executed. But don’t be fooled: the apparent simplicity here is deceptive. Léger was fascinated by the aesthetics of the machine age, and the world of labor that came with it. Here, we see a group of figures, probably circus performers. The thick outlines and simplified forms give the figures a machine-like appearance; they are reduced to their essential components. The circus, like a factory, is a place of intense physical exertion. In both contexts, people are required to perform repetitive tasks, pushing their bodies to the limit. Léger admired this kind of disciplined labor, and sought to capture its energy in his paintings. Even the materials, and the look of apparent ease, underscore the value of efficiency, speed, and the celebration of a modern aesthetic that honored work, not just leisure.
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