Virgin with a scapular and Child in the clouds above Sts John of Matha and Felix of Valois 1668 - 1740

Editor: This is "Virgin with a scapular and Child in the clouds above Sts John of Matha and Felix of Valois" made with ink and watercolor by Domenico Parodi sometime between 1668 and 1740. It’s held at the SMK in Copenhagen. I'm struck by how the grey ink wash gives it this ethereal, almost dreamlike quality. What do you see in this piece? Curator: You’ve nailed the initial feeling. I think it's helpful to see this work within the tradition of Baroque allegory and religious history painting. The floating Virgin, bestowing a scapular – that devotional necklace, symbol of protection - isn't just a visual delight; it's Parodi crafting a moment of divine blessing for these two saints, founders of the Trinitarian Order. Look closely - their upward gaze. Notice how they both seek intervention from the Virgin. Editor: Yes, there’s such drama in their faces, and in the billowing clouds. Curator: Exactly! The landscape peeking through grounds it slightly, but the drama… that’s pure Baroque theater, isn't it? I wonder, how does this drawing compare to other baroque artworks we’ve studied? Editor: Well, there is the trademark focus on intense emotion and dynamic movement, but the scale feels quite intimate, like a personal devotional piece, compared to some of the larger works we’ve seen. Curator: A brilliant observation. It’s this duality, that I find particularly fascinating; grandeur scaled down into something deeply private and spiritual. I imagine Parodi at work. So absorbed! I almost wish I could catch a glimpse over his shoulder! Editor: I see what you mean! I hadn't quite grasped that intimacy before, but I definitely feel it now. Curator: And there you have it; sometimes, the loudest statements are whispered, aren’t they?