Flat Iron Holder c. 1937

Editor: Here we have Benjamin Resnick's pencil drawing, "Flat Iron Holder," created around 1937. It's a very technical looking drawing with a few different views of what seems like an ornate metal object. What's most interesting to you about this piece? Curator: It's fascinating to see this seemingly functional object rendered with such care. The New Deal's Federal Art Project, under which Resnick likely worked, aimed to document and preserve American design. Were these simply records, or did they serve a broader socio-political purpose, perhaps celebrating American ingenuity during tough times? Editor: That's a really good point, to show the ingenuity during the great depression! It kind of brings a more nationalistic view. Does the way the artist presents the object influence how we see its value or purpose? Curator: Absolutely. The precise rendering elevates the humble flat iron holder, drawing parallels between folk art and industrial design. The artistic choice impacts our perspective on its worth and cultural importance by legitimizing everyday creativity during economic strife. Does it change your own ideas when presented in this context? Editor: It really does. Before, I was thinking about it as simply archival documentation. Now, seeing this through the lens of the social and economic backdrop adds a new level of depth to the image. Curator: Exactly! This isn’t just an object; it's a piece of cultural heritage, subtly promoted during a time when national pride was more vital than ever. Editor: Well, this gives me so much to think about when looking at similar pieces in the future. Thanks for your perspective! Curator: My pleasure! It's important to consider all factors to create a deeper viewing experience.