De heilige Hieronymus c. 1585 - 1620

Francesco Amato created this etching of Saint Jerome in the late 17th or early 18th century. At first glance, the composition, dominated by an intricate network of lines, presents a scene of contemplative solitude amidst a dense forest. The stark contrast between light and shadow enhances the dramatic intensity, drawing the eye to the reclining figure of Jerome and the ethereal cherubs above. Notice how Amato uses the engraving technique to articulate depth and texture. The density of lines creates a visual weight, particularly in the depiction of the forest, while the sparser lines suggest the smooth skin of the figures. This meticulous use of line not only defines form but also conveys a sense of spiritual elevation. The semiotic interplay between the lion, a traditional attribute of Saint Jerome, and the cherubs signifies the convergence of earthly existence and divine intervention. Amato destabilizes the traditional representation, emphasizing the intellectual and spiritual journey. This etching invites us to consider the interplay between asceticism and divine inspiration in the context of Baroque spirituality.