print, engraving
ink drawing
pen sketch
landscape
mannerism
figuration
line
history-painting
engraving
Dimensions height 274 mm, width 205 mm
"Christ on the Mount of Olives" presents a deeply personal and pivotal moment in Christian narrative through an anonymous hand with ink on paper. The work illustrates Christ's struggle as he grapples with his impending fate, watched over by an angel. The sleeping figures of his disciples serve as a stark counterpoint to Christ's anguish, underscoring a sense of abandonment and isolation. This emotional depth resonates with the broader human experience of facing adversity and uncertainty, echoing the existential themes prevalent throughout the 16th century. The gendered implications of the piece are subtle but significant. Christ's vulnerability is laid bare, challenging traditional notions of masculine strength. The sleeping disciples, potentially viewed as lacking in their duty and loyalty, may reflect societal expectations of male support and companionship. The artwork serves as a poignant reflection on the challenges of leadership and the complexities of faith, resonating with personal experiences of doubt and sacrifice.
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