Dimensions: height 374 mm, width 258 mm
Copyright: Rijks Museum: Open Domain
Tsukioka Kôgyo’s “Scene from the No Play Yuya” is a woodblock print which invites us into a world of subtle gestures and poised stillness. The evenness of the print emphasizes the line work and the composition’s strong verticals and horizontals. I love the way the graphic quality of the lines creates a feeling of tension, especially in the rickshaw structure. The eye is drawn to the delicate details of the woman’s kimono, patterned with its organic floral forms. The muted palette contributes to a feeling of contemplative calm. The color is so subtle and restrained. The composition reminds me a little of the work of Edgar Degas, particularly in his prints of women bathing where poses are naturalistic and intimate. Both artists share an interest in portraying the quiet moments of everyday life, transformed through the touch of art. Rather than offering a singular viewpoint, Kôgyo’s print gives space for multiple interpretations, encouraging us to pause and reflect on the beauty of fleeting moments.
The subject of No is not daily life, but rather a higher reality. In order to also elevate the play visually above the commonplace, everything is stylized. For instance, the character of the personages is indicated with a mask, and here an oxcart is depicted plainly yet effectively with a bamboo frame around which white fabric is wound.
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