Oude vrouw op een ezel, geleid door een jonge vrouw by Roeland van Laer

Oude vrouw op een ezel, geleid door een jonge vrouw 1605 - 1673

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drawing, print, etching, paper, ink

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drawing

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light pencil work

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quirky sketch

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narrative-art

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baroque

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print

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pen sketch

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etching

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pencil sketch

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old engraving style

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landscape

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figuration

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paper

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personal sketchbook

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ink

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ink drawing experimentation

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pen-ink sketch

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sketchbook drawing

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genre-painting

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sketchbook art

Dimensions height 116 mm, width 153 mm

Editor: We're looking at "Old Woman on a Donkey, Led by a Young Woman," an etching by Roeland van Laer, dating sometime between 1605 and 1673. It's rendered with such delicate lines; it almost feels like stumbling upon a page torn from a personal sketchbook. The scene, though, is quite curious. What strikes you when you look at it? Curator: Curious indeed! For me, it feels like peering into a half-remembered dream. Van Laer's style has a lovely, almost frantic energy, doesn't it? Look how the lines build up like whispers to suggest form and shadow. Notice the juxtaposition, too—the old woman, weighed down and reliant, contrasted with the youthful figure striding forward. It speaks to a cycle, perhaps, of dependency and the passage of time, but with this quirky lightness that only a sketch like this can evoke. I can almost smell the dusty road and feel the Tuscan sun on my back. What do you make of that backdrop, with the hint of a town? Editor: That's beautifully put! The town gives it a narrative context, grounding this intimate moment in a larger world. So, it is almost like we're getting a little glimpse into the lives of the travelers. And it feels a little comical, with that donkey barely carrying the load. Curator: Comical, yes, but with a melancholic undertone. Van Laer’s often described the lives of everyday folks in Italy and incorporated their everyday stories through drawings such as this. Maybe that's where that 'sketchbook' feel you noticed comes from – an intimacy born from everyday observation transformed into something quietly profound. Did you notice that this print might've actually been part of a larger series of street life depictions in Rome? I always wonder, if only the paper could talk. Editor: That context really does shift my understanding. It feels less like a standalone image and more like a fleeting observation, captured for a larger purpose. It makes the whole image all the more rich, as if each character had their own life. Thanks for pointing that out. Curator: Absolutely! The beauty, as always, lies in the layers. Art forever whispers, "look closer," and what a joy to share that closer look with others.

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