Schetsboek met 30 bladen by Hendrick van Beaumont

Schetsboek met 30 bladen 1696

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drawing, paper, ink

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portrait

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drawing

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dutch-golden-age

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paper

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ink

Dimensions height 315 mm, width 199 mm, thickness 5 mm, width 393 mm

Curator: Alright, so what are your immediate impressions looking at this? Editor: Hmm... weathered. Calmly weathered. Like it’s been on a long journey but found some peace at the end of it. It gives off a real 'secret garden' vibe somehow. Curator: Well, that feeling is interesting because this is the cover of a sketchbook titled "Schetsboek met 30 bladen," attributed to Hendrick van Beaumont, dating back to 1696. Constructed from paper and ink, it belongs to the Dutch Golden Age. Now, consider the sketchbook itself—a repository, almost an archive, of Beaumont’s visual ideas. How does the wear and tear contribute to our understanding of it as an object shaped by use? Editor: Shaped by use indeed! All those tears at the side of the cover... You just know that thing’s been flipped open countless times, seen who-knows-what inspirations being born. I imagine it was a trusted companion. And that little inscription… is that his name? Like he’s staking a claim: this is me, this is my seeing. Curator: Precisely. That personal connection makes me think about the broader culture around sketchbooks during that time. The Dutch Golden Age was obsessed with observation, documentation. Think of those meticulous still lifes, portraits brimming with personality. Sketchbooks like this were the engines of that artistic exploration. Do you think this speaks to how art production at the time could have changed how the broader public looked at their surroundings? Editor: Absolutely. To me, this simple sketchbook quietly embodies a whole worldview—a belief in the power of observation, the importance of capturing the fleeting moment. Even this aged cover—so understated—feels like a rejection of the grandiose, a nod towards the beauty in the everyday. Like it wouldn't matter to Beaumont how much he became famous later on in life. This object encapsulates more of his core. It reminds me to cherish not just the final masterpiece but those messy, imperfect moments that brought it into being. Curator: An excellent point. I'd never quite thought of the cover holding a piece of an artist's persona quite like that! Thank you for illuminating those connections. Editor: Likewise. Makes me want to pick up a sketchbook and start documenting my own journey—crumbly edges and all.

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