Portret van een onbekende jongen by Binger & Chits

Portret van een onbekende jongen 1872 - 1875

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photography, albumen-print

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portrait

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photography

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19th century

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watercolour illustration

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albumen-print

Dimensions height 101 mm, width 63 mm

Curator: There's such a sweet sadness about this portrait, isn’t there? It's almost like a fading memory. Editor: Indeed. We're looking at a photograph from around 1872 to 1875 titled "Portret van een onbekende jongen"—Portrait of an Unknown Boy. It's an albumen print, a popular format in the 19th century, and was produced by Binger & Chits. Curator: An unknown boy. Imagine the stories that face could tell! I wonder what he dreamt about, all those years ago? I bet he wouldn’t think someone like me would still be peering at his image a century and a half later. Editor: That’s precisely the enduring appeal of these portraits. They offer a glimpse into a world that is at once familiar and distant. Albumen prints, particularly portraits like this, democratized image production. Photography made portraiture accessible to a broader public beyond the elite. Curator: Did it also standardize them? He is posed so formally! Like he’s practicing how to be serious for when he’s a grown-up, even though that stiff collar is so far away. He probably wants to be off climbing a tree somewhere. Editor: Absolutely. Photography, despite its promise of capturing reality, quickly became enmeshed in social norms and expectations, often creating idealized or carefully constructed representations. Curator: Well, I like that this picture leaves us with so much to wonder about. It reminds us that history is full of ordinary people living ordinary lives, with the same wishes, joys, and, yes, maybe even the same anxieties as me. It makes him feel like he could be sitting right next to me, which I love. Editor: Ultimately, it's the human connection that transcends time, wouldn't you agree? Curator: It's more than connecting. It's sharing, dreaming, pondering – a soft glow through sepia-toned windows across time itself.

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