Kop zonder oor, beschilderd met strooibloemen en gouden lovertjes c. 1809 - 1814
Dimensions height 5.1 cm, diameter 7.5 cm
Editor: Here we have "Cup without handle, painted with scattered flowers and golden sequins," a porcelain piece crafted by Koninklijke Porseleinfabriek Dommer & Co. around 1809-1814. It feels so delicate and feminine, almost excessively so. How do you interpret this work, thinking about its role within the broader culture of the time? Curator: It’s tempting to dismiss this cup as simply decorative, but let’s consider it through a lens of social and gender dynamics of the early 19th century. Porcelain, particularly finely decorated pieces like this, became deeply intertwined with expressions of wealth, status, and even femininity. What does it mean that an object like a handleless cup is associated with womanhood? Editor: Well, it's small and fragile, which plays into traditional ideas about women being delicate and decorative. Curator: Exactly. And beyond mere domestic use, objects like this often became tools for women navigating a patriarchal society. Serving tea, displaying fine porcelain - these were performances of femininity, potentially subtle acts of asserting influence and creating social capital. Think about it in relation to ideas of "the feminine sphere"—home and hearth—which, though limiting, could also be spaces of agency. Who would be using this cup, and in what settings? Editor: Probably wealthy women, at tea parties, creating alliances...using domesticity to wield power, perhaps? Curator: Precisely. Even the "scattered flowers" and "golden sequins" invite examination. How does this style engage or perhaps subvert dominant artistic conventions? Consider the rise of Rococo's emphasis on nature, beauty and ornamentation and what might those inclinations say about an artist and their subject. Editor: So, what seems like a purely ornamental object can reveal power dynamics and the social roles of women at the time? Curator: Precisely! It reminds us that even seemingly trivial objects can embody significant social and political meaning. Editor: That’s fascinating. I’ll definitely look at decorative arts with a fresh perspective now.
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