Jomfu egen i færgemarken. Guldborgland by Axel Schovelin

Jomfu egen i færgemarken. Guldborgland 1891

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drawing, print, ink, engraving

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drawing

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ink painting

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ink paper printed

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print

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landscape

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ink

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linocut print

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engraving

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watercolor

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realism

Dimensions 270 mm (height) x 205 mm (width) (plademaal)

Curator: We’re looking at Axel Schovelin’s 1891 print, "Jomfu egen i færge marken, Guldborgland," held at the SMK. It’s a scene dominated by a single, majestic tree. Editor: Striking how the tree just looms out of the frame, almost like a character in itself. The light and shadow play create an intensely textured, almost tactile feel. It’s melancholic, isn't it? Curator: The melancholy feels tied to the historical context. Schovelin was working during a period of great social and political upheaval in Denmark, where agrarian life was undergoing immense change. The aging tree can symbolize resilience but also the inevitable decay of established social structures. Editor: Absolutely. I notice how Schovelin masterfully uses the ink to build depth and detail. Look at the density of the linework creating that strong chiaroscuro effect; you have these areas of almost pure black against bright, empty paper. The intricate linework in the leaves gives an exceptional formal quality, doesn't it? Curator: Beyond the pure skill of execution, consider how the "hollowness" of the old tree could be understood as an index of social change: the empty space within, an absent centre. Is it representative of nature, or a signifier for the decline of Denmark's rural existence, becoming obsolete amidst industrialisation? Editor: It's amazing that he achieves so much with what seems to be just a very minimal tonal range, sticking closely to blacks and greys in his medium of ink. Each little hatch mark feels meticulously placed. And then consider the stark white background, making it simultaneously two-dimensional. Curator: The starkness emphasizes the isolation, amplifying the theme of obsolescence and social isolation – reflecting broader anxieties concerning gender roles and political disenfranchisement that also shaped fin-de-siècle artistic sensibilities. Editor: This intense detail makes this drawing work. There's real structural cohesion with his technique; everything feels intentionally built, every shade contributing toward a whole picture, if you will! I might be more prone to thinking the artist achieved formal dexterity in composition! Curator: This exploration made it clear to me how historical context amplifies an artist’s intent and invites questions of mortality and collective destiny. Editor: Yes, and through formal choices – this inkwork achieves more depth and symbolism than immediately apparent. Thank you for contextualizing what I feel are some interesting artistic techniques, combined.

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