Dupin Ainé 1832

Curator: Here we have Honoré Daumier's lithograph, "Dupin Aîné", currently residing at the Harvard Art Museums. Editor: The grotesque exaggeration is striking! That bulbous nose and the thick eyeglasses – almost comical. Curator: Daumier was a master of social critique. Published in "La Caricature," this work skewers the legal profession through the figure of Dupin Aîné. Editor: I see how the sharp lines emphasize the caricature, contrasting the upper figure with the soft, almost whimsical treatment of the crest below. Curator: The crest further satirizes Dupin’s inflated self-importance within the French legal system. Editor: The choice of lithography allows for those deep, dark shadows that heighten the sense of corruption, wouldn't you agree? Curator: Absolutely. It's a powerful commentary on the perceived moral failings of the bourgeoisie in 19th-century France. Editor: Indeed, it seems Daumier wanted to leave no doubt as to his opinion of the man. Curator: It invites reflection on the role of satire and its potential to challenge power structures. Editor: A powerful visual statement, skillfully executed.