Abstract 1971

Editor: This is Victor Pasmore's "Abstract," currently residing at the Tate. It looks like it is a print. The composition has a very sparse quality, almost floating on the canvas. What do you see in its arrangement? Curator: The interplay of geometric forms against the blank space presents a study in visual relationships. Consider the contrast between the defined square and the free-floating circles. Does this tension create a sense of dynamism for you? Editor: It does a little. It feels very balanced though. I hadn't thought about the tension between the shapes. Curator: Indeed, the balance is critical. The strategic placement of each element invites contemplation on the nature of form and space. Editor: That's a great point. I'll definitely be thinking more about those relationships going forward. Curator: Excellent. Paying close attention to such formal devices is key to unlocking the complexities of abstract art.