Dimensions: frame: 636 x 807 x 42 mm support: 402 x 588 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: This watercolor by William Pars, titled "Rome: The Forum," presents a subdued view of the iconic location. Editor: There’s an almost melancholic feel to it, isn't there? The muted tones and scattered ruins evoke a sense of lost grandeur. Curator: Indeed, Pars painted this in the late 18th century, a time when the Forum was as much a symbol of decay as it was of past glory. The columns almost seem to mourn. Editor: I find it interesting how Pars juxtaposes the ancient ruins with the later buildings. It’s a visual layering of history, and perhaps also a statement on the Church's triumph over the pagan empire. Curator: That’s astute. The Forum, even in its ruined state, becomes a symbolic space for meditating on power, time, and cultural memory. Editor: A place for remembering, and perhaps also a place for forgetting. Thanks for the insights. Curator: My pleasure. It's fascinating how a single image can hold so many layers of meaning.
Comments
http://www.tate.org.uk/art/artworks/pars-rome-the-forum-t04852
Join the conversation
Join millions of artists and users on Artera today and experience the ultimate creative platform.
William Pars travelled to Italy in 1775 on a studentship given to him by the Society of Dilettanti, a dining club which sponsored and promoted the study of classical art and the creation of new works in the classical style. Pars spent much of his time in Rome, alongside other prominent British landscape painters including Francis Towne, John ‘Warwick’ Smith, and Thomas Jones, to whom he presented this watercolour of the Roman Forum. Pars remained in Italy until his death in 1782, when, despite being ‘a robust, hearty fellow’, he contracted ‘dropsy of the breast’, apparently caused by standing in water while sketching. Gallery label, April 2007