Thy Neck Is Like the Tower of David, illustration from a Canticum Canticorum blockbook, 2nd 1455 - 1465

This anonymous woodcut illustration from a Canticum Canticorum blockbook was made in the 15th century. It is a work that speaks volumes about the intersection of religious belief and societal structure in late medieval Europe. In this scene, the female figure seated before a towering structure, likely represents the bride from the biblical Song of Songs. She is flanked by angels amidst an architectural landscape reminiscent of contemporary city-states. The shields adorning the tower suggest the heraldic symbols of powerful families or guilds, intertwining themes of divine love and earthly authority. Blockbooks like this one served a unique purpose, preceding widespread movable type. They catered to a growing literate public seeking accessible religious narratives. The simplification of imagery and text reflects a shift in religious practice. It catered to personal contemplation outside the confines of the Church. Understanding this artwork requires delving into the history of printing. As well as religious reform and the socio-economic transformations of the late Middle Ages. These resources allow us to appreciate the complex dialogue between art, faith, and society.