drawing, print, ink, engraving
portrait
drawing
ink drawing
pen sketch
figuration
ink
history-painting
northern-renaissance
engraving
Dimensions sheet: 7 5/16 x 6 9/16 in. (18.6 x 16.6 cm)
This anonymous print of the Holy Family, made with engraving, presents us with a fascinating glimpse into the visual culture of its time. Prints like this one circulated widely, disseminating religious imagery throughout society. The composition, with its symmetrical arrangement and idealized figures, reflects established artistic conventions of the period. The inclusion of Saint Bridget of Sweden and Saint Bernard of Clairvaux speaks to the specific devotions popular at the time, reflecting the cultural values and spiritual concerns of the society that produced it. The location depicted in the background tells the story of the commissioner and his devotion. Understanding the social conditions that shaped its creation and reception allows us to appreciate its significance as a cultural artifact. By researching the history of printmaking, religious practices, and artistic patronage, we can gain a deeper understanding of the beliefs, values, and social structures of the world in which this image was created. Art history is all about this contextual understanding.
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