Maria Elisabeth, landvoogdes der zuidelijke Nederlanden 1737

Curator: Let’s turn our attention to this rather intriguing medal, made in 1737 by Jacques Roettiers. The title reads "Maria Elisabeth, landvoogdes der zuidelijke Nederlanden"—Maria Elisabeth, governor of the southern Netherlands. Editor: Ooh, silvery! It looks both imperious and oddly intimate at the same time. Almost like gazing at the moon. Is it meant to evoke a sense of cool power? Curator: I think the use of metal lends itself well to that interpretation. Metalwork like this involved a complex process, requiring skilled artisans and expensive materials—emphasizing the prestige of the person represented. It's all about status, labor, and value. Editor: Exactly! It's fascinating how the choice of material affects our perception. And the relief, with the detailed depiction of Maria Elisabeth on one side and allegorical figures on the other… It's like a portable power symbol. Does the design suggest something specific about her reign? Curator: Yes, it very carefully constructs and conveys it. Note the reverse. Flanking a complex heraldic shield beneath a crown, these two female figures clearly embody piety and charity – “Pietate et Charitate,” the inscription declares! – and evoke core tenets of her governing style. This wasn’t just a pretty portrait; it’s carefully considered propaganda. Editor: So it’s about carefully manufactured appearances… which makes you wonder, what *was* she really like, underneath the polished metal and those heavy virtues? Curator: Well, consider the broader context: medals like this were often gifts to commemorate important events. They circulated in elite circles, solidifying the image of the subject and reminding recipients of her power. The sheer expense of the material also spoke volumes about that power. Editor: It's a thought-provoking object, though. You hold this cold, hard metal and try to conjure up the warmth of a living woman… It sets your mind traveling in unexpected directions. Curator: Indeed. It makes us think about the intersection of artistry, authority, and the creation of historical narrative through material objects. A single medal reveals so much.