Zalving van koning Salomon 1557 - 1570

Philips Galle’s engraving depicts the anointment of King Solomon, a scene rich with historical and cultural resonance. Here, Solomon is shown kneeling, undergoing his sacred inauguration. The act of anointing, where the prophet Nathan pours oil over his head, signifies divine selection and bestowment of power, echoing ancient traditions of kingship. Trumpets blare, announcing the momentous event to the rejoicing crowd. The donkey, a symbol of humility and peace, stands nearby, contrasting with the grandeur of the occasion. This motif of anointment is not isolated; we see it echoed in countless images across time, from medieval depictions of Christ's baptism to Renaissance portrayals of monarchs ascending to their thrones. The gesture carries a primal weight, a visual shorthand for legitimacy and divine right. Like the ancient Greeks, the act of purification shown here is steeped in cultural memory. The repetition of this symbol speaks to our collective subconscious, reminding us of the enduring human desire for order, leadership, and the sacred.