Constance, the Property of Mr. J.G. Schickler c. 1820

This is "Constance, the Property of Mr. J.G. Schickler," a print by Carle Vernet. It’s made using a technique called etching, a printmaking process that relies on acid to bite into a metal plate, in this case probably copper. The effect is linear, precise, with delicate tonal gradations achieved through careful hatching. This precision really suits the subject matter, don’t you think? Vernet’s print captures not just the horse’s physical attributes but also the social context of equestrian culture. Consider the labour involved, from the engraver’s skill to the horse trainer's dedication. The image speaks volumes about leisure and wealth, of course – but also about the work it takes to create that appearance of effortless grace and power. This print, like many others, collapses any distinction between high and low. It is a product of both artistic skill and social aspiration.