Oude zwerver met jongeman met zwaard by Anton (der Ältere) Möller

Oude zwerver met jongeman met zwaard Possibly 1588

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print, engraving

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imaginative character sketch

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toned paper

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light pencil work

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quirky sketch

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print

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pencil sketch

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sketch book

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figuration

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personal sketchbook

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line

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sketchbook drawing

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genre-painting

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storyboard and sketchbook work

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northern-renaissance

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sketchbook art

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engraving

Dimensions: height 117 mm, width 88 mm

Copyright: Rijks Museum: Open Domain

Curator: Take a look at "Old Wanderer with a Young Man with a Sword," likely created around 1588 by Anton Möller the Elder. It's an engraving, a medium perfect for capturing the fine lines and textures that bring this quirky pair to life. Editor: Well, aren't they a peculiar pair! My first thought: a fable waiting to happen. The older fellow looks like he's seen it all, that hat and beard practically shout wisdom. And the young one? Impatient, I’d wager, sword at the ready, but glued to the older man's side, maybe begrudgingly. Curator: Absolutely. There's a strong sense of implied narrative here. The formal aspects heighten the emotional qualities: Notice how Möller uses varied line weights to give depth to their clothing, almost like different layers of experience. The fine hatching in the background and the stark figures gives off both an airy and crowded sense. Editor: The textures are truly remarkable, especially considering the medium. You can almost feel the coarse weave of the wanderer's clothes. The contrasting tonalities also make for a memorable composition; and did you observe the somewhat hurried lines with which this image was made? All in all a very good depiction. Curator: It’s the contrast that fascinates me. Light and dark, age and youth, readiness for war with acceptance. I wonder what adventure these two are on. It does speak a great deal to genre-painting in the sense of a storyboard. Editor: Or even something more personal: what about his sketches on sketchbooks? The inscription marks clearly the tone paper utilized for the print... this also denotes an early attention towards such compositional mediums, not exclusively engravings for example. This does gives me an impression that it could come from an earlier work by Moller, maybe used as a reference or part of his archive. Curator: Intriguing thought, like a secret peek into the artist’s creative process itself, as much as into his perception of our human condition. I love that we are considering those early steps that lead to the final project itself. Editor: Ultimately, I am glad this whimsical scene is also displayed at these venues. There is so much joy into observing it.

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