China Shelf, from Chippendale Drawings, Vol. II by Thomas Chippendale

China Shelf, from Chippendale Drawings, Vol. II 1753

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drawing, print, paper, ink

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drawing

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baroque

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print

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paper

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ink

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decorative-art

Dimensions: sheet: 8 5/8 x 12 9/16 in. (21.8 x 31.9 cm)

Copyright: Public Domain

Editor: This is "China Shelf, from Chippendale Drawings, Vol. II," a drawing in ink on paper from 1753 by Thomas Chippendale. The architectural style makes me think of a pagoda. What’s your interpretation of the historical background of this drawing? Curator: Well, think about the 18th-century fascination with the "exotic." This piece exemplifies the Western interpretation of Asian aesthetics. It reflects the socio-political and cultural landscape of the time, where trade with the East influenced artistic production. The China Shelf would not actually be from China, it is a western take on an Asian theme. How does that detail change the work? Editor: That makes sense. So it's more about British society looking "outward," creating a fantasy? Was it about dominating the narrative or just embracing something new? Curator: A bit of both, really. The decorative arts were profoundly influenced by trade routes and imperial ambition. Consider the social status associated with owning imported Chinese goods; Chippendale's design allowed wealthy patrons to showcase their sophisticated taste. This shelf became a display case for power, and this drawing offered access to a whole way of being. Do you agree? Editor: I see how displaying these objects reinforces social stratification and exclusivity. Is it more a symptom or a celebration? Curator: I think that's precisely what makes it historically interesting and valuable today: the reflection on both at once. I find the idea that art does not reflect society but has the ability to reinforce society. It also highlights how design is intertwined with social, political, and economical aspects, giving it a multi-layered value that expands across cultures. Editor: This definitely reframed how I perceive the piece; thanks for shedding light on the nuances within decorative arts and cultural appropriation! Curator: I, too, leave enriched, and am reminded of the ability art and objects have to serve as an active marker within socio-political times.

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