fibre-art, weaving, textile
fibre-art
weaving
textile
folk-art
geometric
Dimensions 233 × 212.6 cm (93 × 75 in.) Repeat: 33 × 38 cm (13 × 15 in.)
Curator: Today we’re looking at a coverlet made around 1839, created by the Gilmour Brothers. It is now held at The Art Institute of Chicago. Editor: Wow, the contrast is immediately striking! The high contrast between black and white threads creates a visually arresting, almost hypnotic effect, don't you think? Curator: Absolutely. What's fascinating to me is the sheer labor involved. It’s woven wool, which means the sheep had to be raised, the wool shorn, spun, dyed – all before even touching a loom. The materiality of this object screams of human toil. Editor: Precisely. And look at the complexity of the design itself. The geometric patterns are layered with representational images like the ship, houses, and those stylized flowers. I'm particularly drawn to the composition; the pattern invites our eyes to move around to grasp these motifs. Curator: This coverlet provides incredible insight into the lives of the makers and consumers. These objects weren't just about aesthetics. They represented value, skill, and often served practical functions beyond mere decoration. What are your thoughts? Editor: The pattern here uses a grid of geometric floral designs, creating dynamic balance and unity. Consider also how its creation was driven by design principles evident even today; there's no separation between then and now due to art's ability to overcome space and time! Curator: It is an incredibly functional object, but one crafted with evident care and artistry. It exists at the intersection of folk art, craft, and labor history. Its aesthetic and utilitarian value combine, showcasing that not all "art" needs a gilded frame or a pedestal to command attention. Editor: Indeed. Seeing the interplay of all these considerations of technique and the final impact this has on viewers brings to mind questions about boundaries – what qualifies artwork and what does not? The closer we look, the more its value deepens as an expression itself of visual ideas! Curator: I agree entirely. It truly encapsulates so much of that historical era. Editor: The starkness of the coverlet still manages to offer such beauty.
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