Botanical plate with a flowering eggplant 1750 - 1760

Editor: Here we have a “Botanical plate with a flowering eggplant”, dating from 1750-1760, made by the Chelsea Porcelain Manufactory. The blend of the Rococo style with this depiction of nature feels very decorative. How can we interpret the techniques and intention behind its production? Curator: This piece speaks volumes about 18th-century modes of production and consumption. Consider the porcelain itself - a luxury good. The detailed fresco-like painting… who was consuming these botanical plates, and how did their production reflect the era’s social dynamics? Editor: I hadn’t thought of it that way. It's beautiful, but also very much an object of its time. What do you mean about social dynamics? Curator: Well, think about the labour involved in extracting and processing the materials, shaping the porcelain, and meticulously painting the eggplant and flowers. It implies specialized artisans, a clear division of labor, and a wealthy clientele to sustain the demand. Do you see it as bridging 'high art' with craft? Editor: Yes, I see that. The botanical illustration feels scientific, but then it's on porcelain, elevating it. It makes you wonder how the consumer viewed both art and science through ownership of such an item. So it reflects status, labour and consumption, all in one plate! Curator: Exactly. The very materiality of this piece connects to a broader understanding of its value. I hope that you are reflecting that even the modes of artistic creation tell of an evolving context. Editor: Absolutely. I’ll never look at a porcelain plate the same way again! Thank you.