Boog van Septimius Severus 1692

Pietro Paolo Girelli made this print of the Arch of Septimius Severus. This image exemplifies how European artists have long used ancient Roman monuments as symbols of power and authority. But this isn't just a neutral record. Prints like these circulated widely and shaped how people understood the past, often reinforcing contemporary social hierarchies. Made in Europe, this print reflects the period's fascination with classical antiquity and its use in legitimizing contemporary power structures. It’s interesting to consider how the artist’s own social context influenced his interpretation and presentation of this Roman monument. What choices did he make in terms of composition, perspective, and detail that might reflect his own cultural biases or artistic agenda? By studying the historical context in which this print was made, including the political climate, artistic conventions, and audience expectations, we can gain a deeper understanding of its meaning and significance.