Strooien van broden onder het publiek, plaat [QQ] by Nicolaas Hogenberg

Strooien van broden onder het publiek, plaat [QQ] 1530 - 1536

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print, engraving

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narrative-art

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print

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figuration

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genre-painting

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northern-renaissance

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engraving

Dimensions: height 360 mm, width 295 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have Nicolaas Hogenberg’s engraving, “Strooien van broden onder het publiek, plaat [QQ],” made between 1530 and 1536. What strikes you about it? Editor: The frenzy. It’s an amazing depiction of controlled chaos. The figures scrambling for the loaves feel incredibly animated. There’s also something unsettling about the dispassion of the bread distributors above. Curator: Exactly! Hogenberg captures a potent scene. This is a form of "genre-painting," quite popular at the time. What we're witnessing is the distribution of alms, or perhaps ceremonial bread, to a crowd of supplicants. Editor: So it’s a controlled display of power, right? The act of giving meant everything then—charity as a visible manifestation of control. Note how they are raised above, literally looking down upon the mass. Curator: It echoes, I think, much older archetypes—the Cornucopia, the symbolic horn of plenty. Throughout time, symbols like bread connect deeply with shared beliefs about sustenance, sacrifice, and community. The figures throwing it remind one of figures casting petals at a royal occasion. Editor: It highlights an unequal exchange—the givers secure their status and spiritual brownie points through the act of giving to the “less fortunate,” but at what social cost? And let’s consider the historical context. This was during a period of social and religious upheaval; this image might be read as subtle commentary on established power structures. Curator: And notice the visual language he employs: dense clusters versus open space to denote plenty versus want. The engraver's lines themselves create the impression of an unyielding throng, pushing forward with their needs. Editor: The desperation almost bursts out from the black and white constraints. Knowing its context heightens the discomfort. I now find myself wondering about those silent distributors above—are they truly benevolent, or just playing a part in a bigger theatre? Curator: It holds so much to think about. The artwork certainly holds timeless reminders about power, and need. Editor: Absolutely. A compelling visualization of how giving can, perhaps unintentionally, perpetuate the imbalance of things.

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