Terracotta oinochoe (jug) by Group of Vienna O.565

Terracotta oinochoe (jug) 399 BC

ceramic, sculpture, terracotta

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greek-and-roman-art

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ceramic

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vase

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form

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roman-art

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sculpture

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ceramic

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terracotta

Curator: Let’s turn our attention to this terracotta oinochoe, or jug, created around 399 BC by the Group of Vienna O.565. It resides here at the Metropolitan Museum of Art. Editor: Oh, it's sleek! Like a shadow solidified into a vessel. I’m immediately struck by how the dark, polished surface gives it this wonderfully mysterious presence. Curator: Indeed. The oinochoe form was prevalent in ancient Greece for serving wine, and the material, terracotta, speaks to both accessibility and artistry in that period. Examining it now, we might think about who this vessel was intended for, what roles it may have played in symposia, and even how it may underscore the class and gender dynamics of ancient Athenian society. Editor: Class dynamics and a wine jug! I hadn’t considered it in that light. I am looking at the handle, you know. Its curvaceous design makes it both beautiful and quite functional. How deftly that loop sits just so on the lip for pouring! You know, you almost forget it's essentially glorified dirt. Curator: Precisely. And the dark sheen is significant. Think of the symbolic value associated with specific materials. The lustrous finish here implies wealth, maybe echoing the darker aesthetic trends which existed during the late fifth century BC that embraced funerary practices within Greek societies. Editor: The darkness adds gravitas, you are spot on. This almost Gothic romance the vase has, right? Like a piece that whispers of hidden chambers and perhaps some ancient libations. But it is more complex than I had first taken in. How a basic item can become not only timeless but quite emotionally present for us millennia on. Curator: Right. Beyond aesthetics and function, objects such as this can be a lens through which to view cultural values and sociopolitical undertones. And, thinking about the lack of figures here on its dark glaze, can invoke the rise of individuality and self-expression during classical antiquity, far different from other highly decorated works. Editor: This piece started as simple inspiration. I mean it's beautiful, don’t get me wrong. But hearing your breakdown, you’re dead on. It becomes less a container and more a fascinating bit of socioeconomic history to really mull over. It's rather amazing what art can whisper to us across the ages, really!

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