"Les Wagons-baignoires" c. 19th century

Curator: This is "Les Wagons-baignoires" by Honoré Daumier, currently residing in the Harvard Art Museums. Editor: It's bleak, isn't it? The stark lines and gaunt figures evoke a real sense of discomfort. Curator: Absolutely, Daumier was a master of social commentary. The print depicts travelers in what are described as "bath-wagons," crammed together. This points to class disparities and the dehumanizing conditions of travel for those who couldn't afford better. Editor: The title itself drips with sarcasm. Are these supposed to be bathing wagons? They look more like cattle cars, emphasizing the mass transit of human bodies. The focus on the labor of transport—the man with the shovel—brings into focus the social production of mobility. Curator: Exactly! The lack of privacy and the sheer density of people raise questions about hygiene, disease, and social control. This piece challenges us to think about the impact of industrialization and modernization on the body. Editor: It is striking how Daumier employs such simple materials to provoke such a strong reaction. It’s a powerful example of how art can hold power to account. Curator: A potent visual critique that remains relevant even today.