Fotoreproductie van een schilderij van Barbara van Nicomedië, mogelijk door Martin Schongauer by Gysi

Fotoreproductie van een schilderij van Barbara van Nicomedië, mogelijk door Martin Schongauer before 1866

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drawing, print, paper

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portrait

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drawing

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ink paper printed

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print

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paper

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11_renaissance

Dimensions height 118 mm, width 90 mm

Curator: There's something quietly powerful about this print; it has this very stark, almost haunted feel. What's your initial sense? Editor: Haunting is a perfect descriptor. Here we're looking at a photo reproduction of a painting of Saint Barbara of Nicomedia, very likely crafted by Martin Schongauer, and reproduced sometime before 1866. It's rendered as a print, predominantly using ink on paper. The stark contrast certainly emphasizes that mood you noticed. Curator: Exactly! It's like a glimpse into a shadowed memory. She seems to float against the dark background. The lighting focuses primarily on her face and that elegant headdress, doesn't it? There’s a fragility and maybe…a little sorrow in those eyes. Editor: The artist captured a remarkable depth of character, considering this would have been a commissioned portrait intended to project status and virtue. Barbara was, after all, a virgin martyr, often invoked for protection against fire and lightning - think gunpowder and the social upheaval linked with that! Curator: Fire and upheaval... it's funny how the past echoes. And to think, her quiet resolve in this image is timeless! It could easily speak to modern women navigating a world on fire, figuratively or literally. The textures, even in reproduction, carry something unique about this figure's perseverance. Editor: Absolutely, and I wonder about this “reproduction,” especially considering it’s one image amongst many within the larger bound work. How does that impact the availability and viewership of religious works? Who would have had access to view St. Barbara and did access alone impart a form of power? Curator: So many questions! It’s really interesting to see it shift my perspective. The layers between viewer and subject and meaning all swirl! Editor: Precisely! Thanks for letting me work that out with you. Curator: The pleasure was all mine. It leaves me pondering the quiet resilience of women throughout history.

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