Man’s Best Friend 1937

Gil Elvgren painted this image, Man’s Best Friend, with oils, though when isn't clear. This is a scene washed in a bright yellow that, as the background, threatens to flatten the space, so it's up to the figures to push back. I imagine Elvgren, a mid-century artist, setting up his easel and canvas, mixing luscious browns for the woman’s coat. You can almost see him adjusting the model's pose, directing her glance downwards, perhaps wanting to capture that coy, fleeting moment. Look at the dark shadows defining her legs, and the highlights that round her body out, creating form, while the green gloves and hat add a touch of whimsy to her ensemble. The Scottish Terrier is the star, its furry texture achieved through deft strokes. I like the way the red leash creates a visual connection, a literal line, between the woman and the dog. The painting balances realism with a touch of fantasy. The conversation between them, the artist and his audience, is timeless, isn’t it?