Encore 1941

Editor: We're looking at Rolf Armstrong's 1941 oil painting, "Encore." It's a striking image – all yellows and blacks and this poised, smiling woman. What is it about this piece that catches your eye? Curator: Well, doesn't she just radiate confidence? It's like she knows a delightful secret and is about to share it, or maybe, she *is* the delightful secret. And Armstrong captured that cheeky gleam with such aplomb! The spotlight feels so theatrical; don't you get the sense that she's just taken a bow? The bold use of yellow is something I really admire, as it pops in contrast with the darker outfit. Editor: I hadn't thought of it that way, but you're right – it's very much a stage presence. Do you think the era in which it was painted influences its feeling? Curator: Absolutely. The 40s were all about glamour amidst a backdrop of so much turmoil. So this feels both escapist and yet undeniably rooted in a specific time. Those shadows around her feet— almost grounding, wouldn't you say? As if to say: enjoy the moment, it's fleeting. Does it conjure anything specific for you? Editor: I like your idea about escapism... it makes sense considering what was happening then. It's amazing to think how much a single painting can communicate. Curator: Exactly! That’s the beauty of art, isn't it? Layers upon layers, inviting you in to unravel its story. Or to invent your own, frankly! Editor: Thanks so much; this was very enlightening. Curator: My pleasure! Come back any time we always can have another *Encore*.