Adoration of the Infant Christ by Mary and Joseph 1827

Curator: We're looking at "Adoration of the Infant Christ by Mary and Joseph," a print made by Caterina Piotti-Pirola, who was active in the 19th century. Editor: What strikes me immediately is the pervasive sense of reverence. The figures are bathed in light, yet their expressions remain subdued, almost solemn. Curator: It’s fascinating how Piotti-Pirola translates this scene through the reproducible medium of printmaking. Consider the labour involved in carving those fine lines to create this sense of depth. Editor: Absolutely. The lamb, the angels, even the distant landscape, are all coded with layers of theological meaning and speak to cultural values. Curator: And the composition itself is a kind of cultural product, reflecting particular social arrangements of faith. Notice the contrast of the rough textures of the manger with the smooth lines of their garments. Editor: It's like a visual hymn. The halos are important as symbols of holiness, but what do you make of the light behind the buildings and hovering over the scene? Curator: It is truly incredible to consider how materials meet meaning. Editor: A wonderful reminder of the enduring power of images and their production in a historical context.