[title not known] Possibly 1843

Curator: This arresting print is by John Linnell, who lived from 1792 to 1882, and is part of the Tate collection. It depicts a scene of motherhood. Editor: The stark contrast and tight composition definitely evoke a sense of emotional intensity. Is that supposed to be Mary and the children? Curator: Possibly, but it also hints at larger social narratives of maternity and caretaking within the domestic sphere. We can see the contrast between the two women. Editor: And the children’s poses feel so raw and real, full of the chaos of early childhood. It feels less idealized than many depictions of motherhood we see. Curator: I agree. The artist has chosen to show these children in motion, perhaps signifying the labor of motherhood that often goes unseen. Editor: Yes, it’s a powerful visualization of the many roles women are expected to occupy, both then and now. This really makes you think. Curator: Indeed, and perhaps it prompts us to consider the social and political contexts that define those roles. Editor: A deeply evocative print.