Ontwerp voor bord van het model ‘Square’ met een hen en drie kuikens by Albert-Louis Dammouse

Ontwerp voor bord van het model ‘Square’ met een hen en drie kuikens c. 1875 - 1880

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painting, watercolor

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painting

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landscape

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etching

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watercolor

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genre-painting

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realism

Dimensions height 335 mm, width 257 mm

Curator: Ah, here’s a particularly charming piece, a design for a plate titled "Ontwerp voor bord van het model ‘Square’ met een hen en drie kuikens"—"Design for a Square Plate with a Hen and Three Chicks." It's an etching with watercolor by Albert-Louis Dammouse, dating back to around 1875-1880. Editor: It feels very pastoral, almost idyllic. The palette is soft, gentle. You get a real sense of the peace and quiet of a rural scene. It makes me think of spring mornings, dew on the grass… something very fresh and innocent. Curator: Exactly! Dammouse often embraced themes of nature and rural life. This feels grounded in realism, yet it’s elevated by a stylized border, framing the central scene with delicate sketches of flora and flowing patterns, an unusual feature that combines natural observation and decorative sensibility. Editor: I’m drawn to how he’s positioned the hen. It’s not just a portrait of a bird, but a symbol of motherhood and nurture, wouldn't you agree? The way the chicks cluster around her creates an immediate sense of familial love and protection. A rather common interpretation! Curator: It’s undeniably there! It's interesting to think about how domestic animals in art carry layers of cultural significance. Chickens, historically, could represent everything from simple barnyard life to symbols of vigilance and the cycles of life. Here, against that quiet landscape, the hen becomes quite monumental. Editor: And look at the etching marks that he used! He could have just shaded it but the lines imply constant, restless energy in the chicken and chicks. You almost feel like they move. Curator: The etching truly brings a kinetic energy to the composition. The unfinished border provides another level of interesting complexity; a fascinating contrast between refined rendering and skeletal framing. Dammouse asks the viewer to actively imagine its realization. Editor: It adds an extra layer, right? Almost like we’re peeking into the artist's process, invited to finish the picture ourselves, so that the everyday farm reality elevates to symbol and reflection. A tender insight, for such a small dish! Curator: A perfectly sized window into simpler times! Thanks, it's nice when art can reveal more than it seems to!

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