F.o. mand og kvinde bladrer i billedbog og f.n. to artister med vinger 1827 - 1889

Editor: We are looking at "F.o. mand og kvinde bladrer i billedbog og f.n. to artister med vinger" by Nicolai Habbe, likely created sometime between 1827 and 1889. It appears to be a print, a lithograph in fact, and it’s quite striking with its contrast between the ordinary couple and the fantastical winged figures. What’s your take on it? Curator: It’s fascinating how Habbe positions this genre scene, this almost burlesque domestic tableau, against the backdrop of ethereal, winged figures. Consider the historical context: the 19th century saw the rise of the middle class and with it, a burgeoning market for satirical prints that commented on their lives, their aspirations, and perhaps their pretensions. Editor: So you see the winged figures as representing some kind of aspiration? Curator: Perhaps, or even a satirical jab. The placement suggests a commentary on the viewers themselves - are we looking at figures from their illustrated book? Are they angels, or the performers who were viewed as 'angels' by an adoring public? Habbe cleverly uses visual irony to expose the desires and fantasies of his audience. Consider how art like this played a role in shaping social norms. Did prints like this serve to elevate or to critique the ballet and those who loved them? Editor: It is interesting how this work makes you wonder about social classes. Looking at this piece made me wonder if it aimed to make fun of them. Thank you for sharing these perspectives with me. Curator: My pleasure. This piece offers a fascinating window into how art reflects and shapes societal values. We are looking at the artist making fun of a topic, with a sense of dark humor.