Portret van Karl Friedrich August Gützlaff op een preekstoel by Carel Christiaan Antony Last

Portret van Karl Friedrich August Gützlaff op een preekstoel 1842 - 1887

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lithograph, print

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portrait

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pencil drawn

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lithograph

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print

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pencil drawing

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history-painting

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academic-art

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realism

Dimensions: height 270 mm, width 175 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have a lithograph from the mid-19th century, sometime between 1842 and 1887, created by Carel Christiaan Antony Last. It's a portrait of Karl Friedrich August Gützlaff depicted delivering a sermon. Editor: He certainly commands the space, doesn't he? Even in this grayscale image, I get a strong sense of presence, almost like he's peering right at us through time. The lighting is quite striking too, casting some fascinating shadows. Curator: Indeed. The stark contrast contributes to a sense of dramatic importance, reflecting Gützlaff's significant role as a Lutheran missionary to the Far East. The ornate pulpit is clearly a symbol of authority, almost like a stage. Editor: And there’s that open book, ready for pronouncements, it certainly adds to the dramatic effect. Makes me wonder what kind of impact his sermons really had back then. Curator: Lithography as a medium allowed for a wider distribution of portraits, therefore amplifying Gützlaff's persona and teachings throughout Europe. Notice how the architecture behind him appears almost ethereal. Editor: Ethereal is the perfect word. I can almost hear echoes coming from that gothic interior! So, it's interesting how this printed portrait acts as both a record and kind of devotional object, perpetuating his legacy visually. Sort of meta, in a way. Curator: Precisely. He becomes an icon, fixed in our visual memory through reproduction. The text at the bottom even anchors his identity, reminding us who he was and why this image exists. It captures a pivotal moment—him conveying something truly impactful. Editor: Yes! So, not only an individual portrait, but something closer to visual memory, it evokes the feeling and historical importance of an iconic persona—and a powerful sense of bygone grandeur. Curator: Absolutely. It is fascinating how visual motifs from that period, particularly surrounding religious figures, served to shape cultural consciousness then, but how these visual echoes shape collective understanding today. Editor: Looking at it now, I'm curious to delve more into the context of his sermons... what was his audience experiencing? Anyway, thank you! I felt deeply informed. Curator: Indeed. Reflecting on these images offers us, as viewers, new insight on visual symbols that are deeply intertwined with historical impact.

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