Negentiende pagina van een dagboek van een reis door Noorwegen met drie foto's van een brug en de watervallen Låtefossen en Espelandsfossen by Hendrik Herman van den Berg

Negentiende pagina van een dagboek van een reis door Noorwegen met drie foto's van een brug en de watervallen Låtefossen en Espelandsfossen Possibly 1895 - 1899

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Dimensions: height 241 mm, width 175 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have a fascinating page from a travel diary, likely dating from around 1895-1899, by Hendrik Herman van den Berg. It's titled, "Negentiende pagina van een dagboek van een reis door Noorwegen met drie foto's van een brug en de watervallen Låtefossen en Espelandsfossen," which translates to the "Nineteenth page of a diary of a trip through Norway with three photos of a bridge and the waterfalls Låtefossen and Espelandsfossen". Editor: Immediately, I'm struck by the monochromatic nature of the albumen prints. The creamy sepia tones give the cascading water a sense of almost liquid light. Curator: Indeed. And the way he has integrated the handwritten text amongst the photographs gives us a unique view into the experience of a 19th century traveler. The page is not just a collection of images but also reflections of what he witnessed. Editor: From a material perspective, think of the labor involved in producing albumen prints. The meticulous coating and printing processes highlight photography as both an artistic medium and an early form of mass production. These are documents, and pieces of handmade craft. Curator: Certainly. These waterfalls became iconic sites during the Romantic era, drawing artists, writers and tourists from across Europe, representing nature’s sublimity, but even this relatively early form of photography quickly offered wide distribution and documentation of the areas, which democratized access, so to speak. Editor: The placement of the bridge at the top seems quite deliberate, emphasizing a merging of human engineering with raw, natural force, which speaks volumes. Curator: Precisely, there's a real interplay between control and abandon at work here. I'm particularly drawn to the handwritten text and the way the script flows around the photos, almost mirroring the cascade. It's hard to know what is legible and what is decorative, the act of writing has also become artistic documentation. Editor: Looking at it this way enriches our reading and seeing so well! Curator: Exactly. Each photograph functions not just as a visual record but as part of a wider commentary on travel, technology, and seeing.

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