Welsh Landscape with Roads by Graham Sutherland

Welsh Landscape with Roads 1936

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Dimensions: support: 610 x 914 mm frame: 798 x 1107 x 85 mm

Copyright: © Tate | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Here we have Graham Sutherland's "Welsh Landscape with Roads," currently housed at the Tate. It measures about 61 by 91 centimeters. Editor: Oh, my. It feels like a dream… or maybe a nightmare. A very earthy, rusty nightmare. Curator: Sutherland was deeply inspired by the Pembrokeshire coast. He used materials like oil paint to capture the organic shapes and textures he found there. Editor: You know, it's so interesting how he turns this harsh landscape into something almost…sensual. The colors, the shapes. It’s grotesque, in a gorgeous way. Curator: Absolutely. This piece reveals much about Sutherland's process, focusing on the transformation of raw material into something psychologically charged. The roads symbolize human impact. Editor: I think it's his ability to mix the mundane and the monstrous, the beautiful and the bleak, that really gets to me. Makes you think about what we are doing to nature. Curator: Indeed. It serves as a potent reminder that the means of production and our interaction with the environment shape our collective psyche. Editor: Makes you feel a bit haunted, doesn't it? A lovely kind of haunted.

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tate 3 days ago

http://www.tate.org.uk/art/artworks/sutherland-welsh-landscape-with-roads-n05666

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tate 3 days ago

This work derived from the hills and valley near Porthclais on the outskirts of St David's, Pembrokeshire. Sutherland wrote that such paintings expressed the 'intellectual and emotional' essence of a place. He conjures up a sense of the landscape's ancient past through the inclusion of the animal skull and what may be standing stones in the distance. The unnaturalistic colouring, dramatic shaft of sunlight and minuscule fleeing figure create a threatening atmosphere. While the theme of a tiny man dwarfed by nature was common in eighteenth century painting, Sutherland's transformation of the landscape into a eerie, primordial scene is distinctly modern. Gallery label, August 2004